2017-2022

London 2017/2022

London 2017/2022

France 2017/2022

South London 2017/2022

Grande Galerie de l’Évolution, Muséum national d’Histoire naturelle, Paris, 2017/2022

London, 2017/2022

Paris, 2017/2022

Rodin Museum, Paris, 2017/2022

Paris, 2017/2022

France, 2017/2022

Palace of Fontainebleau, France, 2017/2022

Muséum national d’Histoire naturelle, Paris, 2017/2022

London, 2017/2022

V&A Museum, London, 2017/2022

Paris, 2017/2022

England, 2017/2022

Rodin Museum, Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Muséum national d’Histoire naturelle, Paris, 2017/2022

Paris, 2017/2022

E. Dehillerin est. 1820, 18-20 Rue Coquillière, Paris, 2017/2022

Paris, 2017/2022

Grande Galerie de l’Évolution, Muséum national d’Histoire naturelle, Paris, 2017/2022

Grande Galerie de l’Évolution, Muséum national d’Histoire naturelle, Paris, 2017/2022

V&A Museum, London, 2017/2022

Paris, 2017/2022

Amiens, France, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Rodin Museum, Paris, 2017/2022

Paris, 2017/2022

Tuilieries, Paris, 2017/2022

13 Rue Delambre, Montparnasse, Paris, 2017/2022

Paris, 2017/2022

France, 2017/2022

France, 2017/2022

Paris, 2017/2022

Louvre, Paris, 2017/2022

Louvre, Paris, 2017/2022

France, 2017/2022

Paris, 2017/2022

Palace of Fontainebleau, France, 2017/2022

Palace of Fontainebleau, France, 2017/2022

France, 2017/2022

Paris, 2017/2022

France, 2017/2022

France, 2017/2022

France, 2017/2022

Cathédrale Notre-Dame d’Amiens, France, 2017/2022

Cluny Museum, Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

Muséum national d’Histoire naturelle, Paris, 2017/2022

Paris, 2017/2022

V&A Museum, London, 2017/2022

Rodin Museum, Paris, 2017/2022

Paris, 2017/2022

Henri Fantin Latour. Un coin de table 1872, Musee d’Orsay, Paris, 2017/2022

Pierre-Auguste Renoir. Bal du moulin de la Galette 1876, Musee d’Orsay, Paris, 2017/2022

Muséum national d’Histoire naturelle, Paris, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

Rodin Museum, Paris, 2017/2022

Paris, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

France 2017/2022

Saint Martin’s Lane, London, 2017/2022

V&A Museum, London, 2017/2022

V&A Museum, London, 2017/2022

Musée D’Orsay, Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Paris, 2017/2022

Louvre, Paris, 2017/2022

Rodin Museum, Paris, 2017/2022

France, 2017/2022

Montparnasse, Paris, 2017/2022

Palace of Fontainebleau, France, 2017/2022

Paris, 2017/2022

Palace of Fontainebleau, France, 2017/2022

Palace of Fontainebleau, France, 2017/2022

Louvre, Paris, 2017/2022
Two students were arguing about a flag flapping in the wind. “It’s the wind that is really moving,” stated the first one. “No, it is the flag that is moving,” contended the second. A Zen master, who happened to be walking by, overheard the debate and interrupted them. “Neither the flag nor the wind is moving,” he said, “It is MIND that moves.”
The photographs in this sequence meditate on the idea that it is the mind of the viewer that constructs the spaces and meanings of these images. It is MIND that moves. The title of this sequence the sun does not move is attributed to Italian polymath Galileo Galilei.
The photographs are not a contemporary dissection of some archaic concept or hidden historical moment. They just are. Why do I make them? Because I feel impelled to be creative, to explore the spiritual in liminal spaces that I find across the earth. Ultimately, I make them for myself, to illuminate the journey that this soul is on.
With wonder and affection and empathy and feeling for the spaces placed before it. As clear as light is for the ‘mind’s eye’.
With thankx to the few “fellow travellers” for their advice and friendship.
Marcus
98 images
© Marcus Bunyan
“To try to see more and better is not a matter of whim or curiosity or self-indulgence. To see or to perish is the very condition laid upon everything that makes up the universe, by reason of the mysterious gift of existence.”
Teilhard de Chardin, Seeing 1947
Please click on the photographs for a larger version of the image.
Photographs are available from this series for purchase. As a guide, a digital colour 16″ x 20″ print costs $1,000 plus tracked and insured shipping. For more information please see the Store web page.